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sougenga 宋元画 | ||||||
KEY WORD : art history / paintings | ||||||
Chinese painting of the Song (Jp: Sou 宋) and Yuan (Jp: Gen 元) dynasties, particularly as collected in Japan. The majority of Japanese sougenga were brought to Japan by Zen monks who had studied in China, although some paintings were gifts from Chinese officials and others were imported by merchants. In Japan, the Chinese paintings were sometimes given new contexts that necessitated altering their format or size. For instance, hand scrolls were severely cropped and mounted as hanging scrolls to fit the *tokonoma 床の間 of tea rooms. Japanese collectors appreciated a wide variety of painting subjects, including landscape, bird-and-flower, and Taoist and Zen figures (see *doushakuga 道釈画). This last category, much distained by later Chinese critics, survives almost exclusively in Japan, where Muqi (Jp: Mokkei 牧谿; late 13c), Liang Kai (Jp: Ryou Kai 梁楷; act. early 13c) and other painters are revered. Catalogues of shogunal and temple collections reveal the tremendous value accorded Song and Yuan paintings as symbols of Chinese culture and, later, as symbols for the conservative Tokugawa 徳川 shoguns and daimyou 大名 of their heirship to the prestige of the Ashikaga 足利. Many of the paintings now preserved in Japan were produced in the coastal province of Zhekiang (Jp: Sekkou 浙江), the center of Chinese trade with Japan and the location of several large Zen temples, and especially at the port city of Ningpo (Jp:Neiha 寧波) whose artists produced both religious and secular painting, mainly in the Southern Song court style *intaiga 院体画. Song and Yuan paintings influenced Japanese Buddhist painting and monochrome painting of secular and Zen themes. Sougenga introduced new modes of painting to Japan (such as *haboku 破墨 and *mouryouga 魍魎画) as well as new subjects (such as *Shoushou Hakkei 瀟湘八景). The wide influence of sougenga is thus seen in much of Muromachi painting, and many aspects of art after the early 16c also bear the imprint of what was known as "early" Chinese painting. | ||||||
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*minshinga 明清画 | ||||||
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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。 |
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