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| shigami@θό | ||||||
| KEY WORD :@ art history / sculptures | ||||||
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|  1@Also 
      shigami  (biting lion), or hagami  (biting teeth). A 
      noh mask *noumen \Κ 
      representing a bad demon whose defeat ends in celebration. Muscles tense 
      with rage, eyebrows furrowed to the extent that the upper half of the metallic 
      gold eyeballs are hidden, a nose that juts out with its large nostrils, 
      and blunt, large upper and lower teeth emphasize the scowl on the shigami 
      mask, from which its gets its current name, meaning "awful, scowling face." 
      The black painted hair of the eyebrows, mustaches, beard, and head all look 
      as if they are standing up, tousled from anger. The mask is painted a dark 
      skin color. Used for demon roles including the strenuous maibataraki 
       dance such as, the devil in RASHOUMON 
Άε, the female devil in 
      MOMIJIGARI gtλ, the spider man in TSUCHIGUMO ywε, or the god-devil 
      in HIUN ς_. It can also substitute for *yakan 
      μ±to represent the spirit of the death rock in SESSHOUSEKI EΆΞ. Shigami, 
      or a variant with sculpted bushy face hair, ikazuchi  ( thunder 
      god), is used for the main role in RAIDEN d (Thunder God). When 
      shigami is used to play good demon, a court hat, kammuri ₯, 
      is worn on top of the mask. For the play NUE κK a bird-like variant, 
      called either nue or taka ι, might be used. The mask type 
      is attributed to Shakuzuru Τί (see *jissaku 
      \μ) and a fine copy bearing the stamp of the first Oono Deme εμoΪ master, 
      Zekan ₯Υ (d. 1616), is kept by Tokyo National Museum. See *kijinmen 
      S_Κ.  2@Usually written . An ornament used on armor, showing the angry face of a lion. Often used on sculpted Buddhist guardian figures *ten V, it symbolized the strength and bravery of a lion, and protected against evil. Lion faces were found on the belt *obikui Ρς, the shoulders *katakui ¨ς, the knees *hizakui Gς, or on the front of the helmet above the visor (see *kabuto h, *mabisashi ϋέ). They are thought to have originated on armor in ancient Greece and Rome eventually spreading east to became part of Buddhist imagery. A good example of shigami can be seen on the Bishamontenzou ωΉεV in Kanzeonji Ο’Ή, Fukuoka prefecture.  | 
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B  | 
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