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hensou@Ο | ||||||
KEY WORD :@art history / paintings | ||||||
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Ch: bianxiang. Also called hen Ο (Ch: bian)
or kyouhen oΟ (Ch: jingbian). Transformation scenes, tableaux, or other
pictorial representations which show the various illusionary manifestations of
Buddha figures and their Buddha realms, often rather schematically arranged. The
sanskrit term parinama means transformation, and indicates a readily accessible
visual presentation, or transformation, of a more abstrusely written Buddhist
teaching. The term henbun ΟΆ (Ch: bianwen) refers to a popular Tang genre
of literature with religious and secular content related to oral storytelling
with pictures. Moreover, Chinese records dating from the Six dynasties and Tang
dynasty indicate that bianxiang (hensou) is also applied to depictions
of various Buddhist narratives, such as *honjou-zu
{Ά}, *butsuden-zu §`},
and *hiyu setsuwa-zu ζ gΰb},
almost the way the term *setsuwaga
ΰbζ is commonly used. The term hensou is also associated in China and later
in Japan with visual props used in recitations by male and female preachers or
storytellers to an audience *etoki
Gπ and therefore the illustrations typically have narrative content. Numerous
Chinese examples are extant in the Buddhist caves of Dunhuang (Jp: Tonkou Φΰ)
dating from the late 6c/early 7c-10c. Following such Chinese precedents, many
paintings termed hensou were also produced in Japan. The most popular Japanese
depictions were those of paradises described in the sutras *joudo
hensou ςyΟ, such as *Kangyou
hensou ΟoΟ, *Amida
joudo hensou ’νΙςyΟ and *Hokekyou
hensou @ΨoΟ. These depictions often focus on a Buddha in the center of the
painting with scenes derived from narratives in the sutras around the borders.
After the Heian period, the term *mandara
ΦδΆ
, a geometrically organized diagram of the Buddhist cosmos popularized by esoteric
Shingon ^Ύ Buddhism, often replaced the term hensou, such as *Taima
mandara ΦδΆ
, *Chikou mandara
qυΦδΆ
, *Seikai mandara ΄CΦδΆ
(collectively known as *joudo sanmmandara ςyOΦδΆ
). |
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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