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zounai nounyuuhin@ΰ[όi | ||||||
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Also nounyuuhin [όi, tainai nounyuuhin Ωΰ[όi, tainai nounyuubutsu Ωΰ[ό¨. Objects found in the inner hollow of a Buddhist statue. There are a great variety of zounai nounyuuhin, and items including written documentation have been especially useful to scholars investigating the origin and history of Buddhist figures. Paper items include: prayers recorded in writing by the donor of the statue, zouryuu ganmon ’§θΆ; names of petitioners aspiring to the Buddhist faith, kechien koumyouchou πΌ ; copies of sutras; and Buddhist prints, *inbutsu σ§ and *suribotoke §. Wooden items include plaques bearing the sculptor's signature, date, and other information about construction; miniature stupas, *gorintou άΦ; and small Buddhist figures, *tainaibutsu Ωΰ§. There are also reliquaries made of crystal, precious metals, stone or lacquer, containing bones of the Buddha *shari Ι. Other zounai nounyuuhin include glass vessels, coins, jewels, mirrors, fabrics, grain, medicine, and household items. The Seiryouji Shaka nyoraizou ΄yίή@ (Kyoto), brought from China in 987, contains paintings and other artifacts, as well as a silk-fabric model of Buddha's inner organs, *gozou roppu άZδD. Sutras and relics inside a figure are believed to give the statue its soul, investing it with the spirit of a living being, a concept known as shoujin shisou Άgvz. Early Japanese examples are the Yakushi nyoraizou ςt@ in Toushoudaiji *Kondou ΅ηΰ° (Nara), which has coins enclosed in the skirts of the statue, and the Senju Kannonzou ηθΟΉ in Touji Jikidou H° (Kyoto), where relics are contained in the *byakugou | (forehead curl), and cypress fans hiougi Oξ in carved out hollows under the arms. In wooden statuary, hollowing techniques *uchiruri ΰ, and building figures from hollow joined blocks *yoseki-zukuri ρΨ’,@developed during the Heian period (9-12c), making large spaces in the bellies of the statue available for zounai-nounyuuhin. This culminated in the Kamakura period (13c), when the quantity and variety of examples are greatest. The Juuichimen kannonzou \κΚΟΉ in Housekidera σΟ (Kyoto) and the Amida Sanzonzou ’νΙOΈ in Ankokuji ΐ (Hiroshima prefecture), contain a range of petitions and written documents. Representative collections of zounai nounyuuhin are found in Kamakura period statues in Saidaiji Όε (Nara) such as the Aizen Myouou €υΎ€(1247), Shaka nyoraizou ίή@ (1249), and Monju Bosatsu-kishizou ΆκμFR (1293). In the Kamakura, a bronze seated Amida figure, *Daibutsu ε§, of 11.4m (13c), where worshippers can physically enter the statue, and a ladder leads up into the head where there is a small image and shrine. | ||||||
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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