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zounai nounyuuhin@‘œ“ΰ”[“ό•i
KEY WORD :@art history / sculptures
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Also nounyuuhin ”[“ό•i, tainai nounyuuhin ‘Ω“ΰ”[“ό•i, tainai nounyuubutsu ‘Ω“ΰ”[“ό•¨. Objects found in the inner hollow of a Buddhist statue. There are a great variety of zounai nounyuuhin, and items including written documentation have been especially useful to scholars investigating the origin and history of Buddhist figures. Paper items include: prayers recorded in writing by the donor of the statue, zouryuu ganmon ‘’—§Šθ•Ά; names of petitioners aspiring to the Buddhist faith, kechien koumyouchou Œ‹‰Œπ–Ό’ ; copies of sutras; and Buddhist prints, *inbutsu ˆσ•§ and *suribotoke  •§. Wooden items include plaques bearing the sculptor's signature, date, and other information about construction; miniature stupas, *gorintou Œά—Φ“ƒ; and small Buddhist figures, *tainaibutsu ‘Ω“ΰ•§. There are also reliquaries made of crystal, precious metals, stone or lacquer, containing bones of the Buddha *shari ŽΙ—˜. Other zounai nounyuuhin include glass vessels, coins, jewels, mirrors, fabrics, grain, medicine, and household items. The Seiryouji Shaka nyoraizou ΄™yŽ›Žί‰ή”@—ˆ‘œ (Kyoto), brought from China in 987, contains paintings and other artifacts, as well as a silk-fabric model of Buddha's inner organs, *gozou roppu Œά‘Ÿ˜ZδD. Sutras and relics inside a figure are believed to give the statue its soul, investing it with the spirit of a living being, a concept known as shoujin shisou ΆgŽv‘z. Early Japanese examples are the Yakushi nyoraizou –ςŽt”@—ˆ‘œ in Toushoudaiji *Kondou “‚΅’ηŽ›‹ΰ“° (Nara), which has coins enclosed in the skirts of the statue, and the Senju Kannonzou ηŽθŠΟ‰Ή‘œ in Touji Jikidou “ŒŽ›H“° (Kyoto), where relics are contained in the *byakugou ”’Ÿ| (forehead curl), and cypress fans hiougi •Oξ in carved out hollows under the arms. In wooden statuary, hollowing techniques *uchiruri “ΰ™Š, and building figures from hollow joined blocks *yoseki-zukuri Šρ–Ψ‘’,@developed during the Heian period (9-12c), making large spaces in the bellies of the statue available for zounai-nounyuuhin. This culminated in the Kamakura period (13c), when the quantity and variety of examples are greatest. The Juuichimen kannonzou \ˆκ–ΚŠΟ‰Ή‘œ in Housekidera •σΟŽ› (Kyoto) and the Amida Sanzonzou ˆ’–ν‘ΙŽO‘Έ‘œ in Ankokuji ˆΐ‘Ž› (Hiroshima prefecture), contain a range of petitions and written documents. Representative collections of zounai nounyuuhin are found in Kamakura period statues in Saidaiji Ό‘εŽ› (Nara) such as the Aizen Myouou ˆ€υ–Ύ‰€(1247), Shaka nyoraizou Žί‰ή”@—ˆ‘œ (1249), and Monju Bosatsu-kishizou •ΆŽκ•μŽF‹RŽ‚‘œ (1293). In the Kamakura, a bronze seated Amida figure, *Daibutsu ‘啧, of 11.4m (13c), where worshippers can physically enter the statue, and a ladder leads up into the head where there is a small image and shrine.
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
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