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toshoku@hF | ||||||
KEY WORD :@architecture / decorations | ||||||
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The colours of paint found on Japanese style, *wayou al, temples. Wooden members were often painted red with *tan O, and the cut ends were often painted white, *gofun Σ², or ocher, *oudo ©y. Lattice windows and stockades were painted green, *rokushou ΞΒ. However, Zen style *zenshuuyou T@l, building had unpainted wood surfaces, and this influenced temple architecture in general from the Kamakura period (13c) on ward. Some exceptions included the use of black lacquer, kurourushi ½, on buildings, and gold leaf, kinpaku ΰ, on Rokuonji Kinkaku, ΰt, (1398) in Kyoto. In shrine architecture, uncoloured timbers were traditionally used in the ancient shinmei style, *shinmei-zukuri _Ύ’Abut after the introduction of Buddhism in the 5-6th centuries, colours were applied to shrines, an influence of Buddhist temple architecture. The most lavish example of toshoku is Toushouguu Ζ{, (early 17c), in Nikkou ϊυ, Tochigi prefecture, reflecting the popularity of very bright decorative colouring, gokusaishiki ΙΚF, in the Momoyama period (1568-1615). | ||||||
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Nikkou Toushouguu Kamishinko ϊυΖ{γ_Ι (Tochigi)
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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