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ryoushi soushoku@—¿Ž†‘•ü | ||||||
KEY WORD :@art history / paintings | ||||||
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The decoration of paper used for calligraphy and
painting *ryoushi —¿Ž†. Paper dyeing
is a type of decoration which is applied during the process of paper making. Many
types of plant dyes, such as sappanwood *suou
‘h–F and indigo *ai —•, are used.
The dye is applied with a brush, hikizome ˆøõ, or raw paper is dipped into
the dye tsukezome ’Ðõ. Sometimes the fibers are dyed before the paper is
made, sen'izome ‘@ˆÛõ. This includes two special techniques of paper decoration:
*uchigumori ‘Å“Ü, where
indigo dyed fibers are dipped so that the top and bottom of a sheet from a cloud
pattern; and tobikumo ”ò‰_, where paperfiber dyed in blue and purple are
mixed so that small cloud patterns appear in a sheet. Mizutamagami …‹ÊŽ†
is decorated by applying a fine layer of colored paper (often blue) to a white
sheet. Drops of water splashed onto the blue paper make holes in the upper sheet
to reveal the white base. Chiriirigami o“üŽ† deliberately leaves darker coarse
fiber on the paper surface for decorative effect. Other elements such as buckwheat,
rushes, moss or gold and silver dust also can be added. Decoration applied after
paper is made includes: @ @ 1) *Karakami “‚Ž†, a technique in which patterns carved on a wood-block are printed with mica, kira ‰_•ê on paper undercoated *gubiki ‹ïˆø‚« with the white pigments *gofun ŒÓ•². Variations of karakami include *rousen ˜Xâ³ (wax rubbed paper) and later, karazuri ‹ó (goffer). @ @ 2) Gold and Silver decoration. Gold and silver leaves *haku ”“ cut into small geometric shapes *kirihaku Ø”“, thin strips *noge –ì–Ñ, or fine powder *sunago »Žq, are scattered and pasted on paper. @ @ 3) *Suminagashi –n—¬‚µ, a technique of paper decoration taken from the pattern of ink floating on water. @ @ 4) Drawings in gold and silver paint *kingindei-e ‹à‹â“DŠG or various other pigments. Popular patterns include flowers, birds, butterflies and vegetation. When designs are large and @complicated (close to a painting), they are called *shita-e ‰ºŠG (underdrawing). *Ashide ˆ¯Žè is one of the most sophisticated designs used for decorating paper. @ @ 5) Paper joining *tsugigami ŒpŽ†. Decorative paper is made by joining various sheets of paper in different colors and patterns. Since ancient times various materials were applied to the surface of paper both to preserve and to create a better effect for calligraphy and painting. For example, paper sometimes was hammered flat uchigami ‘ÅŽ†, polished with precious stones or ivory, keishi àðŽ† or dyed brown with Amur cork (Philodendron amurense, *kihada ‰©ŸA) for protection against insects. Gradually from this there developed various types of paper decoration such as printing patterns and paper dyeing. The earliest examples of decorated ryoushi in Japan can be seen at the *Shousouin ³‘q‰@ and date back to the 8c. The technique of paper decoration reached its peak during the mid-Heian period, when the use of decorated papers for poetry and letters was extremely popular among the courtiers and the ladies serving at the court. Glazed *ganpishi Šå”玆 and *choshi ž¸Ž† were most often used. Paper decoration after the Heian period is not as sophisticated as in this golden age. Notable examples are found, however, in the works of Honnami Kouetsu –{ˆ¢–íŒõ‰x (1558-1637) and Soutatsu @’B (see *Rinpa —Ô”h) during the Momoyama period. |
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NOTES: | ||||||
tsukezome ’Ðõ also Zõ / sen'i-zome ‘@ˆÛõ also sukizome —õ@ | ||||||
(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. Œfڂ̃eƒLƒXƒgEŽÊ^EƒCƒ‰ƒXƒg‚È‚ÇA‘S‚ẴRƒ“ƒeƒ“ƒc‚Ì–³’f•¡»E“]Ú‚ð‹Ö‚¶‚Ü‚·B |
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