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KEY WORD :@1@art history / sculptures@2@architecture / general terms | ||||||||
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1@Monkey.
The monkey is represented in kyougen ΆΎ by a masked and costumed
figure. The monkey mask has a round or oval face with a large jutting-out
jaw. The wide mouth is usually shut, and sometimes appears to smile; other
masks have a cleft lip, open to reveal the teeth. The eyes are almond shaped
with large round pupils, and are often bordered by a series of parallel
lines. Monkey masks may look young and perky, or old and sad. There are
masks representing male and female monkeys of different ages, and even a
father-in-low monkey and a groom monkey, who appear in the play SARUMUKO Ή (The
Monkey Groom). Child monkey masks are used in the plays UTSUBOZARU θΥ (The Monkey Skin Quiver) and SARUZATOU ΐͺ (The Blind Man and the Monkey). See *kyougenmen ΆΎΚ, *noumen \Κ. 2@Lit. monkey. A monkey or cat bar or bolt, so named because of its ability to keep a door securely closed. Myth has it that once a monkey grasps an object, it will never release it. Thus, the name for one type of bar or bolt. A long, slender wooden bar attached to the stile *tatezan GV, or rail san V, of a door. The most common saru, called yokozaru ‘, are designed to slip into a catch horizontally. Others, called agezaru γ°, can be moved up and down vertically from the top rail and inserted into a groove made on the head jamb *kamoi of sliding doors or rain shutters *amado JΛ. Sagezaru Ί° or otoshizaru ΅ are attached to a bottom rail and are pushed down into a groove on the threshold. The crosspiece provided to secure the bar is called yosezaru ρ. When the doors *shouji αq, are flush, the bolt is called horikomizaru € or flush bolt. See *sarudo Λ. |
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a) agezaru γ°@b) yokozaru ‘@c) sagezaru Ί°
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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