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| oodo@‘åŒË | ||||||
| KEY WORD :@architecture / folk dwellings | ||||||
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|  1@ 
      Lit. great door. Also 
      called *oodoguchi ‘åŒËŒû. The door separating a main entrance, usually 
      one bay wide, from the earth-floored area *doma “yŠÔ. Found in traditional vernacular houses *minka –¯‰Æ, the kitchens *daidokoro ‘äŠ, of upper class residences, and the kitchen and office buildings *kuri ŒÉ—¡ of Zen temples. Oodo also referred to the doors at the entrance 
      to the long dividing passage *kusa-no-ma ‘‚ÌŠÔ, in stables *umaya ”n‰®. The term was already in use by the 14c and was in general a solidly constructed 
      timber door itado ”ÂŒË, or pair of doors which could be securely locked 
      and barred at night. By the end of the Edo period these had been replaced 
      or supplemented by lattice doors koushido ŠiŽqŒË, or even sliding screens 
      *shouji áŽq. Elaborate 
      examples from this period might have a double track arrangement, with a 
      lattice door for daytime use and a solid door for use at night. In many 
      cases the oodo incorporated a wicket *kugurido ö‚èŒË, allowing individuals to pass through when the main door was shut. There 
      were four main types of oodo: (a) a timber swing door or pair of 
      doors called itatobira ””à (see *itakarado ”“‚ŒË); (b) a single upward swinging door tsuriagedo ’Ý—g‚°ŒË, similar in 
      principle to a hinged shutter *shitomido ŽÁŒË; (c) a one-way sliding door or pair of doors with flanking panel which 
      concealed the door when open, sodekabetsuki katabikido ‘³•Ç•t‚«•Јø‚«ŒË; 
      (d) a pair of two-way sliding doors *hikichigai ˆøˆá. Illustrated hand scrolls, such as Ban Dainagon ekotoba  ”º‘å”[Œ¾ŠGŽŒ 
      (Idemitsu oΛ Art Museum, Tokyo), depicting the capital in the last years 
      of the Heian period, show that a pair of timber swing-doors of type (a) 
      was already commonly used as an oodo in the houses of lesser officials 
      by the 12c. It continued to be used in large scale ancillary temple buildings 
      and kitchens until well into the Edo period. Urban houses of retailers and 
      artisans *machiya ’¬‰Æ by the 19c, used a single swing-door a full bay in width with a central 
      hinge, allowing one half to be folded back upon the other in the manner 
      of double hinged doors *kannonbiraki 
      tobira ŠÏ‰¹ŠJ”à, thus creating less obstruction when open. Type (b), 
      the single swinging door, swung inwards and was supported when open by iron 
      hangers suspended from beams or upper-floor joists. It had the advantage 
      of not obstructing the space below when open. It was favored in town houses, 
      which required an open front to display merchandise. To mitigate the unwieldiness 
      of the single swinging door, it was sometimes divided into upper and lower 
      panels, allowing it to be folded and then raised, but this design, which 
      appeared in the 18c, made it difficult to incorporate a wicket door, and 
      was not widely adopted. Type (c), the one way sliding door *katabikido •ЈøŒË, may be subdivided into two categories: a single wide sliding door 
      and flanking panel, or a pair of symmetrical doors with a narrow panel on 
      each side. The former type was almost ubiquitous in farmhouses, nouka ”_‰Æ, during the Edo period and was sometimes used in rural merchants' houses. 
      The heavy door was usually equipped with wheels, let into the bottom rail. 
      The variant with symmetrical flanking panels and a pair of doors was sometimes 
      used in temple buildings and vernacular houses during the latter part of 
      the Edo period. Type (d), the two-way sliding doors, was comparatively rare 
      in vernacular houses of the early Edo period. By the end of the Edo period, 
      however, it was not uncommon for two-way sliding doors to be inserted in 
      the main entrance of farmhouses during the daytime, when the oodo itself stood open, necessitating extra framing for the runners. The earliest 
      two-way sliding doors used as a type of oodo arrangement are found 
      in the entrance to the long passage, kusa-no-ma, of the stables illustrated 
      in the early 17c carpenter's manual *SHOUMEI  –¾. The opening in this 
      case is about 3m (10 shaku ŽÚ) wide, thus each of the sliding doors 
      is considerably larger than average.  2@In farmhouses in parts of Toyama and Fukui prefectures, the area of earth floor just inside the main entrance of the house. 3@In vernacular buildings in the western part of Shizuoka prefecture, the open space immediately in front of the main entrance to the house. It is believed to be an abbreviation of oodosaki ‘åŒËæ (the space before the great door).  | 
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        i1jOld Andou ˆÀ“¡ house (Yamanashi)  | 
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