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| Ippen�@ˆê•Õ | ||||||
| KEY WORD :�@art history / iconography | ||||||
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| Commonly
known as Ippen Shounin ˆê•Õ�ã�l or St. Ippen (1234-89). The founder of the
Ji Žž sect. From Iyo ˆÉ—\ province (modern Ehime prefecture) in Shikoku
Žl�‘, his original name was Chishin ’q�^. Ippen first studied Tendai “V‘ä Buddhism on
Mt. Hiei ”ä‰b in Shiga prefecture, and then Pure land Joudo �ò“y Buddhism at Dazaifu ‘¾�É•{ in Kyuushuu
‹ã�B. During a pilgrimmage to Kumano ŒF–ì, the deity revealed to Ippen that enlightenment
was determined by *Amida ˆ¢–í‘É
and that Ippen should devote himself to preaching the importance of reciting the
name of Amida, nenbutsu ”O•§. Ippen and a band of followers
travelled throughout the country proselytizing with their ecstatic nenbutsu
dance, nenbutsu-odori ”O•§—x‚è, and won a wide following among common people.
Ippen's insistence on constant travelling and giving up of family and possessions
led to his nicknames: Yugyou Shounin —V�s�ã�l (Traveling Saint) and Sutehijiri ŽÌ�¹ (Holy Man of Renunciation). After his death, Ippen's portrait was made in paintings
(Shoujoukouji �´�òŒõŽ›, Kanagawa prefecture); in sculpted images (Chourakuji
’·ŠyŽ›, Kyoto); and, most notably, in illustrated narrative scrolls *emaki
ŠGŠª. The Ippen hijiri-e ˆê•Õ�¹ŠG (Painting of St. Ippen) was edited by
Ippen's disciple Shoukai �¹‰ú, and, according to an inscription dated 1299, was
painted by the artist En-i ‰~ˆÉ (Kankikouji нŠìŒõŽ›, Kyoto, and Tokyo National Museum).
The twelve handscrolls on silk show Ippen's trip around Japan, and are well-known
for their naturalistic depiction of famous places *meisho-e
–¼�ŠŠG, including Mt. Fuji •xŽm, Kumano, Shitennouji Žl“V‰¤Ž›, Zenkouji ‘PŒõŽ›, Enoshima �]ƒm“‡,
*Yoshino ‹g–ì, Itsukushima
Œµ“‡, and Naruto ––å. The treatment of space shows the influence of Chinese Song
and Yuan period landscape painting (see *sougenga
‘vŒ³‰æ). A second type of biographical handscroll Ippen Shounin Engi-e ˆê•Õ�ã�l‰�‹NŠG,
edited by Ippen's other disciple, Soushun �@�r, was painted sometime between
1304 and 1307. The original scrolls no longer exist but�@were copied in many other
versions including those at Shinkouji �^ŒõŽ› in Hyougo prefecture (Ten scrolls, dated
1323) and Kindaiji ‹à‘䎛 in Nagano prefecture (One scroll). These versions are characterized
by the addition of the biography of Ippen's most important disciple Taa
‘¼ˆ¢ (1237-1319). In the Shinkouji version, the first four scrolls depict Ippen's
life, while the last six concern the life of Taa and the spread of Ji sect teaching.
Kinrenji ‹à˜@Ž› in Kyoto has a Muromachi copy (Twenty scrolls) of the now-lost work,
dated 1307, which could be (or, at least was very close to) the original of this
group. |
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| REFERENCES: | ||||||
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| EXTERNAL LINKS: | ||||||
| �@Ippen Shouninden Emaki ˆê•Õ�ã�l“`ŠGŠª (Šª‘掵) at Tokyo National Museum�@ | ||||||
| NOTES: | ||||||
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(C)2001 Japanese Architecture and Art Net Users System.�@No reproduction or republication without written permission. Œf�ڂ̃eƒLƒXƒg�EŽÊ�^�EƒCƒ‰ƒXƒg‚È‚Ç�A‘S‚ẴRƒ“ƒeƒ“ƒc‚Ì–³’f•¡�»�E“]�Ú‚ð‹Ö‚¶‚Ü‚·�B |
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