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gyoshou mondou@Ώβ | ||||||
KEY WORD :@art history / paintings | ||||||
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Ch: yuqiao
wenda. A pictorial theme of a philosophical dialogue between a fisherman
and a woodcutter. The origin of the subject and the details of the dialogue
itself are confused, but the story probably dates from the Northern Song
period when it was included in the writings of both the philosopher Shao
Yong (Jp: Shou You ηΈθ΄; 1011-77) and literatus Su Dongpo (Jp: *So
Touba h±; 1036-1101). The dialogue seems to revolve around the fact
that although the fisherman and the woodcutter live in different ways, both
are friends because of the natural environment they share, and the same
set of religio-philosophic concerns. Notable Japanese paintings include
works attributed to Sesshuu αM (1420-1506) and by *nanga
μζ artists Ike no Taiga rελ (1723-76) and Tomioka Tessai xͺSΦ (1837-1924).
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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