@
gyoshou mondou@‹™Ώ–β“š
KEY WORD :@art history / paintings
@
Ch: yuqiao wenda. A pictorial theme of a philosophical dialogue between a fisherman and a woodcutter. The origin of the subject and the details of the dialogue itself are confused, but the story probably dates from the Northern Song period when it was included in the writings of both the philosopher Shao Yong (Jp: Shou You ηΈθ΄; 1011-77) and literatus Su Dongpo (Jp: *So Touba ‘h“Œš±; 1036-1101). The dialogue seems to revolve around the fact that although the fisherman and the woodcutter live in different ways, both are friends because of the natural environment they share, and the same set of religio-philosophic concerns. Notable Japanese paintings include works attributed to Sesshuu αM (1420-1506) and by *nanga “μ‰ζ artists Ike no Taiga ’r‘ε‰λ (1723-76) and Tomioka Tessai •x‰ͺ“SΦ (1837-1924).
@
@

@
REFERENCES:
@
EXTERNAL LINKS: 
@@
NOTES
@

(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
ŒfΪ‚ΜƒeƒLƒXƒgEŽΚ^EƒCƒ‰ƒXƒg‚ȂǁA‘S‚Δ‚ΜƒRƒ“ƒeƒ“ƒc‚Μ–³’f•‘»E“]Ϊ‚π‹Φ‚Ά‚ά‚·B
@