�@
zenki-zu�@‘T‹@�}
KEY WORD :�@art history / paintings
�@
Lit. paintings of Zen ‘T occasions. Illustrations of acts (including dialogues) which led to enlightenment. The subjects come from well-known Zen anecdotes collected in biographies and compilations of kouan ŒöˆÄ (Ch: chigongan), conundrums used as a means of enlightenment, such as the Blue Cliff (Ch: Biyanlu, Jp: HEKIGANROKU •ÉŠÞ˜^) and Gateless Gate (Ch: Wumenguan, Jp: MUMOMKAN –³–åŠÖ). The genre derives from Song and Yuan dynasties paintings *sougenga ‘vŒ³‰æ, typified by the works of Liang Kai (Jp: Ryou Kai —Àž², act.13c) and Muqi (Jp: Mokkei –qæ®, late 13c). Japanese painters from the Muromachi period onwards, frequently rendered these themes, especially when working in the ink painting medium. Favorite zenki-zu include Rokuso Setchiku ˜Z‘c�B’| (The Sixth Patriarch Chopping Bamboo), *Eka Danpi Œd‰Â’fä] (Huiko Cutting His Arm), *Kensu 儎q (Ch: Xianzi, Catshing Prawns), Kyougen Gekichiku ��ŒµŒ‚’| (Zhi Xiang Striking Bamboo), and Hyounen •Zˆ¼ (Catching a Catfish with a Gourd).
�@
�@

�@
REFERENCES:
�@
EXTERNAL LINKS: 
�@�@
NOTES: 
�@

(C)2001 Japanese Architecture and Art Net Users System.�@No reproduction or republication without written permission.
Œf�ڂ̃eƒLƒXƒg�EŽÊ�^�EƒCƒ‰ƒXƒg‚È‚Ç�A‘S‚ẴRƒ“ƒeƒ“ƒc‚Ì–³’f•¡�»�E“]�Ú‚ð‹Ö‚¶‚Ü‚·�B
�@