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waranawa@˜m“κ
KEY WORD :@art history / sculptures,@architecture / general terms
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1@Rope made by twisting together strands of straw. In clay statuary, the central wooden core *shingi S–Ψ, of the statue was wound with waranawa before clay modelling began. The inner layer of rough clay *aratsuchi r“y, was then applied directly to the straw; the clay adhered better to the waranawa than to timber. If the shingi consisted of a simple wooden pole, then only this was wrapped in waranawa, and other materials such as copper wire dousen “Ίό, and hemp thread *asao –ƒγI, were used to support features and details. However, when a statue had a complex shingi, with large timbers supporting the arms, legs, and so on, these were also wrapped in straw rope

2@See *komai ¬•‘.
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NOTES
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
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