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| KEY WORD :@1@art history / sculptures@2@architecture / general terms | ||||||||
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|  1@Monkey. 
      The monkey is represented in kyougen ΆΎ by a masked and costumed 
      figure. The monkey mask has a round or oval face with a large jutting-out 
      jaw. The wide mouth is usually shut, and sometimes appears to smile; other 
      masks have a cleft lip, open to reveal the teeth. The eyes are almond shaped 
      with large round pupils, and are often bordered by a series of parallel 
      lines. Monkey masks may look young and perky, or old and sad. There are 
      masks representing male and female monkeys of different ages, and even a 
      'father-in-low monkey' and a 'froom monkey', who appear in the play The 
      Monkey Groom SARUMUKO Ή. 'Child monkey ' masks are used in the plays 
      The Monkey Skin Quiver UTSUBOZARU θΥ and The Blind Man and the Monkey 
      SARUZATOU ΐͺ.  See *kyougenmen ΆΎΚ, *noumen \Κ. 2@Lit. monkey. A monkey or cat bar or bolt, so named because of its ability to keep a door securely closed. Myth has it that once a monkey grasps an object, it will never release it. Thus, the name for one type of bar or bolt. A long, slender wooden bar attached to the stile *tatezan GV, or rail san V, of a door. The most common saru, called yokozaru ‘, are designed to slip into a catch horizontally. Others, called agezaru γ°, can be moved up and down vertically from the top rail and inserted into a groove made on the head jamb *kamoi  of sliding doors or rain shutters *amado JΛ. Sagezaru Ί° or otoshizaru ΅ are attached to a bottom rail and are pushed down into a groove on the threshold. The crosspiece provided to secure the bar is called yosezaru ρ. When the doors *shouji αq, are flush, the bolt is called horikomizaru € or flush bolt. See *sarudo Λ.  | 
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![]() a) agezaru γ°@b) yokozaru ‘@c) sagezaru Ί° iotoshizaru ΅j 
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B  | 
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