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senmenga@îÊæ | ||||||
KEY WORD :@ art history / paintings | ||||||
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Also ougi-e îG. Paintings or calligraphy on paper fans. In Japan, two basic types of fans have been used since the Heian period: fans made of thin strips of cypress wood fastened together are called hiougi wî; and fans which have wood or bamboo ribs covered with heavy paper or silk are called kawahoriougi ććî. The former is a ceremonial fan properly carried in winter and the latter a functional fan used for cooling in the summer. The aristocrats of the Heian period held ougi-e awase îG, competitions vying for the distinction of possessing the most beautifully decorated fans. Fans of this period, such as the Uta-e hiougi ÌGwî and Senmen Hokekyou kawahoriougi îÊ@Űoććî, both in possession of Itsukushima Jinja ”_Đ in Hiroshima prefecture, were decorated with scenes from popular narratives such as GENJI MONOGATARI čšê (The Tale of Genji) in colorful pigments, gold, silver and colored papers. During the middle ages, the hiougi continued to be used for certain court ceremonies, but the kawahoriougi enjoyed a broader-based popularity. Also at this time, in addition to the traditional themes, Chinese style paintings and pure ink paintings became popular subjects for fan decoration. In the 17 - 18c, it became popular to arrange fan paintings, often produced by artists of the Kanou school *Kanouha ëìh, on folding screens *senmen byoubu îÊ . Fans designed and painted in the studios of *Rinpa Ôh artists Tawaraya Soutatsu Uź@B (?-1643?) and Ogata Kourin ö`őÔ (1658-1716) were highly prized for their simplicity of design and richness of technique. In the 18c and 19c, paintings on fans were produced by artists of many schools and styles, including *nanga ìæ, *Maruyama-Shijouha ~Rlđh, and *ukiyo-e ąG. | ||||||
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fÚÌeLXgEÊ^ECXgÈÇASÄÌRecÌłfĄ»E]ÚđֶܷB |
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