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Sanjuubanshin@O\Τ_ | ||||||
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Also read Sanjuubanjin. Various sets of thirty *kami _ who protect the nation's peace and people's happiness during the thirty days of the month. The origins of this concept are obscure, but are commonly traced to a story concerning the abbot Ennin ~m (794-864) in which he invited thirty principal Shinto deities kami to Mt. Hiei δb in order to protect the copy of Lotus Sutra HOKEKYOU @Ψo which he had made under special ritual conditions and had enshrined at the Nyohoudou @@° of Yokawa ‘μ on the mountain. The earliest records of the Sanjuubanshin, however, date from the late Heian period and their cult is not prominent until the Muromachi period. The Sanjuubanshin are shown in both groupings of sculptures and in paintings of the thirty deities arranged in rows. Most extant depictions show the set of protectors of the Lotus Sutra, and were hung as protective talismans especially during Tendai Vδ or *Nichiren ϊ@ ceremonies. Early paintings tend to show the deities standing, while later paintings show them seated. There is a panel painting of the Sanjuubanshin dated 1433 in the Shirahige Jinja E_Π in Moriyama ηR, Shiga prefecture. The kami and the day they serve vary according to the set, but include deities of Sannou R€ (the shrine associated with Enryakuji ο on Mt. Hiei), others from near Lake Biwa ϊi and Kyoto, and famous deities from elsewhere in the country. A set of deities could protect the power of texts other than the Lotus Sutra, and more purely Shinto sets could protect the directions (although these could number 32 they were still called Sanjuubanshin). The significance of the cult was the general protection by powerful kami. The cult of the Sanjuubanshin of the Lotus Sutra was adopted in the Nichirenshuu ϊ@@, and within that sect it was connected with the cult of the ten daughters of the raksasas Juurasetsunyo \ who appear in the 26th chapter of the Lotus Sutra, Dharani Daranibon Ι ςi, where they swear to protect those who practice the sutra and preach the Buddhist Law or Dharma | ||||||
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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