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The three types of distances desired for mountains in Chinese ink painting as defined by the famous Academy landscapist of the Northern Sung, Kuo Hsi (Jp: Kaku Ki są; after 1000-ca. 1090) in The Lofty Message of Forests and Streams (Ch: Lin-ch`uan kao-chin; Jp:RINSEN KOUCHI Ńņv). They are based on his own observations of nature: 1) kou-en (high distanc), looking up at a mountain from below; 2) shin-en [ (deep distance), looking out from the front of a mountain and to see other mountains behind it; and 3) hei-en ½ (flat or level distance), looking out from a mountain to neighbouring low-lying hills. | ||||||
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*roku-en Z@ | ||||||
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fŚĢeLXgEŹ^ECXgČĒASÄĢRecĢ³f”»E]ŚšÖ¶Ü·B |
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