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ryuuzou@—§‘œ | ||||||
KEY WORD :@art history / sculptures | ||||||
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Also read ritsuzou. A Buddhist image which is standing, as opposed to seated (see *zazou ¿‘œ). Most standing images stand up straight chokuritsu ’¼—§ in a natural manner, but there are some variations. The bronze sculptures of bodhisattvas *bosatsu •ìŽF Nikkou “úŒõ and Gakkou ŒŽŒõ at Yakushiji –òŽtŽ› in Nara, for example, stand in a relaxed position with most of the weight shifted onto one leg. The straight leg with the weight is called rikkyaku —§‹r, and the bent leg without the weight is called yuukyaku —V‹r. Attendants of *Amida ˆ¢–í‘É in the raigou composition (see *raigou-zu —ˆŒ}}) which have their knees bent forward are considered to be standing images called jiritsu Ž˜—§. The bodhisattvas *Kannon ŠÏ‰¹ and *Seishi ¨ŽŠ in the wooden Amida triad *Amida sanzon ˆ¢–í‘ÉŽO‘¸ from Shourenji ˜@Ž› in Kumamoto prefecture (dated 1295) are the best known examples of ryuuzou. *Zaou Gongen ‘ ‰¤Œ Œ» sculpted in wood in Nyoirinji ”@ˆÓ—ÖŽ› in Nara (dated 1336), has one leg raised in a stamping or running position jaritsu Ž×—§. A walking image *gyouzou s‘œ as typified by *kinhinzou Œos‘œ, is also considered to be a type of ryuuzou and is contemplated during Buddhist meditation . | ||||||
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. Œfڂ̃eƒLƒXƒgEŽÊ^EƒCƒ‰ƒXƒg‚È‚ÇA‘S‚ẴRƒ“ƒeƒ“ƒc‚Ì–³’f•¡»E“]Ú‚ð‹Ö‚¶‚Ü‚·B |
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