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| kappitsu 渇筆 | ||||||
| KEY WORD : art history / paintings | ||||||
|  Ch: kebi. 
      Lit. dry brush. Also koppitsu 枯筆 (withered brush) or sappitsu 
      擦筆 (rubbed brush). An ink painting technique in which a half-dry brush 
      is applied to the surface of a piece of paper and slightly rubbed to give 
      a rough, abraded appearance to the ink. In China, both Huang Kung-wang (Jp: 
      Kou Koubou 黄公望, 1269-1354?) and Ni Tsan (Jp: Gei San 倪さん, 1301-74), late 
      Yuan dynasty literati painters, employed this technique along with various 
      other texture strokes in their ink landscape paintings. In Japan, this technique 
      was popularly employed by early Zen 禅 priests, artists of the Kanou school 
      *Kanouha 狩野派, and later, 
      literati artists. A famous example of the dry brush technique is the 14c 
      Four Sleepers hanging scroll Shisui-zu 四睡図 by Mokuan 黙庵 (Maeda Ikutokukai 前田育徳会, Tokyo).  .  | 
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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。  | 
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