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| kaou 花押 | ||||||
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| KEY WORD : art history / paintings | ||||||
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| Also 
      kakihan 書判, lit. written seal mark, or han 判. Specifically 
      designed character representing or accompanying the signature and affixed 
      at the end of letters and documents *okugaki 
      奥書. Originally, the kaou was used in place of a full signature, then 
      came to accompany the signature and was written underneath it. The complicated 
      pattern of brushstrokes (based on an abbreviation of Chinese characters 
      or kanji 漢字) was meant to protect against forgery. One person may 
      have used several kaou often changing the style with advancing age. 
      In the mid-Heian period, kaou developed as a type of monogram, written 
      in an abbreviated calligraphy *soumyou 
      草名 which evolved from the custom of writing signatures in the formal style 
      kaisho 楷書 (in the 7c) and in the cursive script sousho 草書 
      (in the 8c). This style was mainly used by the imperial family. In the Kamakura 
      period, the practice of combining elements of two characters in a name into 
      a single written seal mark nigattai 二合体 developed, and was adopted 
      by courtier and warrior classes. In the Muromachi period, kaou was 
      often created from a single character related to one's name ichijitai 
      一字体. Around the 15c kaou were created as original patterns unrelated 
      to any character of one's name betsuyoutai 別用体. In the Edo period, 
      the style of kaou was influenced by the 14-17c calligraphic fashion 
      of Ming China, called minchoutai 明朝体. This was characterized by two 
      horizontal lines (representing heaven and earth) drawn above and below the 
      central abbreviated character. | ||||||
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| (C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。 | ||||||