| 
  ||||||
| kanbun bijin 寛文美人 | ||||||
| KEY WORD : art history / paintings | ||||||
|  Lit. 
      beauties of the Kanbun 寛文 era (1661-73). A generic and recently coined term 
      for paintings of beautiful women and men, in particular, courtesans during 
      the later half of the 17c. By the middle of the 17c, the growth of towns 
      people as patrons of genre painting *fuuzokuga 
      風俗画 and the emergence of depictions of courtesans in the painting of burgeoning 
      pleasure quarters *yuuraku-zu 
      遊楽図 gave birth to the "portrait" type known as kanbun bijin, which 
      reached its apogee in the Kanbun era. A new kind of feminine beauty, emphasizing 
      an almost tangible sensuality was usually evoked by focusing on a single 
      standing figure abstracted from any background, hitoridachi bijin 
      一人立美人, and painted with attention to silhouette, rhythmic sweep of line, 
      rich color, as well as depicting gorgeous kimono 着物, fashionable 
      hair-styles and accessories. In the broadest usage kanbun bijin refer 
      to pictures ranging from gold screens painted with dancers (Kyoto City Museum) 
      to the enigmatic image of a single courtesan pushing aside a rope curtain 
      *noren 暖簾 in the Nawa noren byoubu 縄暖簾屏風 (Hara 原 collection, Tokyo). Most typical, however, are the hanging 
      scrolls of a lone courtesan seen in three-quarters view. The majority of 
      the kanbun bijin are anonymous beauties (for example, the scrolls 
      in the Burke collection, New York, the Idemitsu 出光 Museum of Art, Tokyo, and Egawa 穎川 Museum, 
      Hyougo), although there are paintings of specific courtesans such as the 
      portrait of Yoshino Dayuu 吉野太夫 (Kitamura 北村 Museum, Kyoto). Similarly, most 
      of the paintings are the products of anonymous "town painters"*machi-eshi 
      町絵師, although noted artists such as Hishikawa Moronobu 菱川師宣 (ca.1618-94) 
      (e.g. Mikareri bijin 見返り美人 or Beauty Looking Over Her Shoulder, 
      Tokyo National Museum) also created works in the genre. The kanbun bijin 
      had a great impact on the style of early ukiyo-e bijin 浮世絵美人 painting, 
      notably the works of the *Kaigetsudouha 
      懐月堂派 artists.  | 
  ||||||
| REFERENCES: | ||||||
| EXTERNAL LINKS: | ||||||
| Mikaeri bijin 見返り美人 (Hishikawa Moronobu 菱川師宣) / Tokyo National Museum | ||||||
| NOTES: | ||||||
(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。  | 
  ||||||