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KAIJI HIGEN@GηΏΎ | ||||||
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Lit. Humble
Words on Matters of Painting, a late 18c polemic on painting theory by
Kuwayama Gyokushuu KRΚF (1746-99). Completed in 1790 under
the title of KAIEN HIGEN GηΏΎ (Humble Words on the Garden of Painting);
Kimura Kenkadou ΨΊδγδΡ° (1736-1802) copyread the treatise and published it
in 1799 under the new title. In KAIJI HIGEN Gyokushuu seeks to bolster
the reform of *nanga
μζ spearheaded by Gyokushuu's friend Ike no Taiga rελ (1723-76). Most notably,
Gyokushuu attempts to find a Southern School *nanshuuga
μ@ζ of literati artists within Japanese painting tradition, citing Soutatsu
@B (d.ca.1642), Ogata Kourin φ`υΤ (1658-1716), Konoe Nobutada ίqM (1565-1614),
and Shoukadou Shoujou ΌΤ°Ίζ (1584-1639) as exemplary artists whose work
stands in contrast to the academic Northern School *hokushuuga
k@ζ styles of *Kanouha λμh
artists. KAIJI HIGEN had a major impact on late nanga painters such
as Tanomura Chikuden c\Ί|c (1777-1835). It is published in Sakazaki Tan
βθR, ed., NIHON GARON TAIKAN ϊ{ζ_εΟ 1:pp.135-153. |
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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