@
konrei choudo@₯—η’²“x
KEY WORD :@art history / crafts
@
Bridal trousseau. An Edo period daimyou ‘ε–Ό bride brought to her husbands' home a lavish set of house-hold furnishings reflecting the prestige of her family. A typical trousseau consisted of three different kinds of shelves santana ŽO’I; the *zushidana ~Žq’I (miniature shrine-style shelves), kurodana •’I (black shelves) and shodana ‘’I (book shelves), and such personal items as cosmetics, utensils for the incense game kouawase ‡‚Ή, a writing utensil box *suzuribako Œ₯” , clothes, a clothes rack, a wash basin, a comb stand kushidai ‹ω‘δ, serving and tea utensils, a set of equipment for teeth blackening ohaguro ŒδŽ••, and objects of amusement. This last group included the so-called three boards sanmen ŽO–Κ; the go board goban Œι”Υ, shougi board shougiban «Šϋ”Υ and sugoroku board sugorokuban ‘o˜Z”Υ, and the three stringed instruments sangen ŽOŒ·; the koto ‹Υ, shamisen ŽO–‘ό and kokyuu ŒΣ‹|. These objects were ornamented with gold and silver dust *makie ŽͺŠG and mother of pearl *raden —†ην. Because of the status accorded to konrei choudo, leading craftsmen labored carefully using the finest of materials and techniques.
@
@

@
REFERENCES:
@
EXTERNAL LINKS: 
@@
NOTES
@

(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
ŒfΪ‚ΜƒeƒLƒXƒgEŽΚ^EƒCƒ‰ƒXƒg‚ȂǁA‘S‚Δ‚ΜƒRƒ“ƒeƒ“ƒc‚Μ–³’f•‘»E“]Ϊ‚π‹Φ‚Ά‚ά‚·B
@