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Konju@ŒΣˆωŽπ
KEY WORD :@art history / sculptures
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Lit. Barbarian drunkard. Also Suikoraku ŒŒΣŠy or En'onraku ‰ƒˆωŠy. A dance piece in *bugaku •‘Šy and the mask of a bleary-eyed drunkard worn in the performance. Classification (for terms see bugaku): A dynamic dance hashirimai ‘–•‘ of the Left sa-no-mai Ά•‘ introduced from China tougaku “‚Šy and performed by a single man using sweeping gestures. He dresses in a fringed tunic and pantaloons ryoutou shouzoku εκεϋ‘•‘© and carries a short stick with a rounded ball at the end. Although the dance was probably composed in China, an alternative story attributes the composition to 9c members of the Imperial troupe. As the name suggests, the dance represents drunkenness and is thus related to the bugaku dance *Kotokuraku ŒΣ“ΏŠy and the *gigaku ŠκŠy performance *Suiko ŒŒΣ (popular in 7-8c.). Tradition has it that the dancer drinks a cup of sake Žπ before mounting the stage and that he staggers off through the wrong exit. The tight mouthed, round-eyed mask housed at Tamukeyama Jinja ŽθŒόŽR_ŽΠ in Nara is the only example and dates from the Kamakura period (13c). Despite the intensity of the sharply rising eyebrows, broad forehead and large triangular nose, this Konju mask has a softened fuzziness around the eyes suggesting inebriation. Tufts of what were once long strands of hair falling about the face remain and indicate the hair had a broad central parting. This hairstyle constitutes the most characteristic point of difference between this mask and another, similar bugaku mask *Batou ”²“ͺ.
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