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kappitsu 渇筆 | ||||||
KEY WORD : art history / paintings | ||||||
Ch: kebi.
Lit. dry brush. Also koppitsu 枯筆 (withered brush) or sappitsu
擦筆 (rubbed brush). An ink painting technique in which a half-dry brush
is applied to the surface of a piece of paper and slightly rubbed to give
a rough, abraded appearance to the ink. In China, both Huang Kung-wang (Jp:
Kou Koubou 黄公望, 1269-1354?) and Ni Tsan (Jp: Gei San 倪さん, 1301-74), late
Yuan dynasty literati painters, employed this technique along with various
other texture strokes in their ink landscape paintings. In Japan, this technique
was popularly employed by early Zen 禅 priests, artists of the Kanou school
*Kanouha 狩野派, and later,
literati artists. A famous example of the dry brush technique is the 14c
Four Sleepers hanging scroll Shisui-zu 四睡図 by Mokuan 黙庵 (Maeda Ikutokukai 前田育徳会, Tokyo). . |
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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。 |
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