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kaou 花押 | ||||||
KEY WORD : art history / paintings | ||||||
Also
kakihan 書判, lit. written seal mark, or han 判. Specifically
designed character representing or accompanying the signature and affixed
at the end of letters and documents *okugaki
奥書. Originally, the kaou was used in place of a full signature, then
came to accompany the signature and was written underneath it. The complicated
pattern of brushstrokes (based on an abbreviation of Chinese characters
or kanji 漢字) was meant to protect against forgery. One person may
have used several kaou often changing the style with advancing age.
In the mid-Heian period, kaou developed as a type of monogram, written
in an abbreviated calligraphy *soumyou
草名 which evolved from the custom of writing signatures in the formal style
kaisho 楷書 (in the 7c) and in the cursive script sousho 草書
(in the 8c). This style was mainly used by the imperial family. In the Kamakura
period, the practice of combining elements of two characters in a name into
a single written seal mark nigattai 二合体 developed, and was adopted
by courtier and warrior classes. In the Muromachi period, kaou was
often created from a single character related to one's name ichijitai
一字体. Around the 15c kaou were created as original patterns unrelated
to any character of one's name betsuyoutai 別用体. In the Edo period,
the style of kaou was influenced by the 14-17c calligraphic fashion
of Ming China, called minchoutai 明朝体. This was characterized by two
horizontal lines (representing heaven and earth) drawn above and below the
central abbreviated character. |
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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。 |
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