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KAIJI HIGEN 絵事鄙言 | ||||||
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KEY WORD : art history / paintings | ||||||
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Lit. Humble
Words on Matters of Painting, a late 18c polemic on painting theory by
Kuwayama Gyokushuu 桑山玉洲 (1746-99). Completed in 1790 under
the title of KAIEN HIGEN 絵苑鄙言 (Humble Words on the Garden of Painting);
Kimura Kenkadou 木村蒹葭堂 (1736-1802) copyread the treatise and published it
in 1799 under the new title. In KAIJI HIGEN Gyokushuu seeks to bolster
the reform of *nanga
南画 spearheaded by Gyokushuu's friend Ike no Taiga 池大雅 (1723-76). Most notably,
Gyokushuu attempts to find a Southern School *nanshuuga
南宗画 of literati artists within Japanese painting tradition, citing Soutatsu
宗達 (d.ca.1642), Ogata Kourin 尾形光琳 (1658-1716), Konoe Nobutada 近衛信尹 (1565-1614),
and Shoukadou Shoujou 松花堂昭乗 (1584-1639) as exemplary artists whose work
stands in contrast to the academic Northern School *hokushuuga
北宗画 styles of *Kanouha 狩野派
artists. KAIJI HIGEN had a major impact on late nanga painters such
as Tanomura Chikuden 田能村竹田 (1777-1835). It is published in Sakazaki Tan
坂崎坦, ed., NIHON GARON TAIKAN 日本画論大観 1:pp.135-153. |
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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。 |
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