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| itabokashi 板ぼかし | ||||||
| KEY WORD : art history / paintings | ||||||
|  Lit. woodblocking shading. A technique used to produce 
graduated tones on a woodblock print *ukiyo-e 
浮世絵. A separate woodblock was carved for darker or lighter areas. The block was 
first carved to leave an area in relief that was slightly larger (approximately. 0.7cm) 
around the graduated colored area indicated on the artist's proof. The edges of 
this carved area were then abraded at a slight slant to the correct dimensions 
using the stalks of the tokusa 木賊 (Dutch rush/Equisetum hiemale L.), and 
polished using the leaves of the muku 椋 tree (Aphananthe aspera Planch). 
This block, when printed in the same manner as the main color block, will produce 
a colored area with slightly fuzzy edges, appearing to blend gradually into the 
surrounding colors, achieving a graduated effect. Printers exploited this technique 
frequently on the prints of later artists such as Utagawa Kuniyoshi 歌川国芳 (1797-1861) 
to soften the edges of clouds, to shade areas of figures' faces, and in imitation 
of chiaroscuro effects of Western prints.  | 
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| *bokashi ぼかし | ||||||
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| NOTES: | ||||||
(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。  | 
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