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housouge@σΨ | ||||||
KEY WORD :@1 architecture / roofing tiles ; 2 art history / paintings | ||||||
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1@Also
read hossouge, an abbreviation of housougemon σΨΆ. Lit. precious
flower. Housouge found on the pendants *gatou ’ of both semi-circular convex eave end tiles and broad, concave eave end
tiles *nokimarugawara ¬Ϋ’ and *nokihiragawara ¬½’. In many cases the design has been applied to the surface of the tile
by the coil method, i.e., rolling strips of clay into needed shapes and
applied to the tile with a press mold. The patterns may be either strictly
linear, have solid leaf forms that fill the prescribed space, or have outline
of leaf or petals forms shaped and applied by coils. 2@A flower motif that combines images of the peony, lotus and other flowers into an intricate pattern. Variations of the motif include the Chinese floral pattern called *karakusamon Ά. Housouge is thought to have evolved from an Indian Buddhist motif that does not represent a single natural flower, but rather, a fanciful fusion of a variety of flowers, leaves, and fruit. Many variations developed, some appearing heavily influenced by Persian floral motifs, Indian Buddhist lotus motifs, or Chinese Sui-Tang dynasty peony motifs. Housouge was introduced to Japan in the 8c and evolved into a unique, opulent floral pattern during the Heian period. Examples of housouge can be seen on the halo *kouhai υw of the the Buddhist image Miroku bosatsuzou νθΣμF in Houryuuji @², as well as in the architectural decoration of Yakushiji Toutou ςt in Nara. A particularly fine, richly designed motif survives among the treasures of the *Shousouin ³q@, in particular on the five-stringed lute biwa ϊi, which is finely decorated in mother-of-pearl *raden ην. |
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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