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hippou 筆法 | ||||||
KEY WORD : art history / paintings | ||||||
The manor of using a painting brush in Eastern
art and calligraphy. Brush use technique was first mentioned by Hsieh Ho
(Jp; Sha Kaku 謝赫 late 5c) in his Six Principles of painting appreciation
*rikuhou 六法. The
second principle, the bone manner koppou youhitsu 骨法用筆 refers
primarily to linear drawing. Jing Hao (Jp; Kei Kou 荊浩) of the Liang dynasty
in the Five dynasties period wrote the HIPPOUKI 筆法記, which expounds
on the Six Principles. He further described the bone manner as embodying
four forces: sinew or muscle suji 筋, flesh or meat niku
肉, bone hone 骨, and spirit ki 気, which served to define
the basic qualities of brushwork in ink painting which developed during
the Five dynasties and Song periods. Another term, unpitsu 運筆, is
used in much the same way to refer to the way the brush is used. The line
which is produced depends on various factors such as the way the brush is
held and moved, the speed of the stroke and the width of the brush. |
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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。 |
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