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hassen@”ªå | ||||||
KEY WORD :@art history / paintings | ||||||
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Ch: baxian. Lit. eight immortals. The eight figures
considered to be the experts in and protectors of Taoism. The impetus for creating
a group of eight legendary Taoists was probably an attempt to compete with the
popular sixteen arhats *juuroku
rakan \˜Z—…Š¿ of Buddhism and is also related to Du Fu's (Jp: To Ho “m•á, 712-70)
famous poem "Eight Immortals of the Winecup" (Ch:Yinzhong baxiange, see *Inchuu
hassen ˆù’†”ªå). Accounts and depictions vary, but generally the semi-legendary
figures are: *Shou Riken ß—£Œ (Ch:
Zhong Liquan), who was master of *Ryo
Douhin ˜C“´•o (Ch: Lu Dongbin), and is usually shown wearing a large cloak
and waving a plumed fan; Chou Karou ’£‰Ê˜V (Ch: Zhang Guolao); Kan Shoshi ŠØÃŽq (Ch:
Han Xiangzi), nephew of the great 9c poet Han Yu ŠØ–ú whom he impressed with feats
of magic such as making a peony burst; Tekkai (see *Gama
Tekkai ‰Ú寓S‰û); Sou Kokkyuu ‘‚‘än (Ch: Cao Guojiu), brother of an 11c Song
empress, who, to escape the persecution of an elder brother, fled into the mountains
where he was taught by Ryo Douhin and is usually depicted in the costume of a
government official holding a tablet of state; Ryo Douhin, Ran Saika —•Ñ˜a
(Ch: Lan Caihe), originally a Nanjing “ì‹ž actress named Xujian she was converted
to Taoism by Shou Riken and is represented begging or singing in the marketplace
holding large wooden-clappers or a flute and dressed in a tattered green gown;
and, Ka Senko ‰½åŒÆ (Ch: He Xiangu), a female ascetic taught by Ryo Douhin who gave
her the peaches of immortality, which were the source of the immortality of those
residing in Taoist heaven, she is often depicted wearing elegant clothing and
holding a long lotus flower. The hassen theme was more popular with both
Chinese and Japanese artists than with ordinary Taoist believers, although Japanese
painters frequently confused the identities of the lesser-known immortals. There
are notable Japanese paintings by Kaihou Yuushou ŠC–k—F¼ (1533-1615) and Kanou Sansetsu
Žë–ìŽRá (1589/90-1651). Paintings of the hassen were popular with 17c and
early 18c *Kanouha Žë–ì”h painters. |
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. Œfڂ̃eƒLƒXƒgEŽÊ^EƒCƒ‰ƒXƒg‚È‚ÇA‘S‚ẴRƒ“ƒeƒ“ƒc‚Ì–³’f•¡»E“]Ú‚ð‹Ö‚¶‚Ü‚·B |
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