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hakkei@”ŠŒi
KEY WORD :@art history / paintings
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Lit. eight views. Eight scenic spots from one geographic area specifically chosen to be treated in verse or pictures. The idea of designating a certain number of famous views is Chinese in origin, with the ten views of the West Lake (Jp: *Seiko žŒÎ) likely the earliest example. The most influential grouping of eight scenes are the eight Views of the Xiao and Xiang Rivers (Jp: *Shoushou Hakkei ānÃ”ŠŒi) depicted first by Chinese painters (since 11c) and then in numerous Japanese versions. The first Japanese variation is the depiction of eight views of Oumi *Oumi Hakkei ‹ß]”ŠŒi developed in the early 17c. In the Edo period, with increasing travel and tourism, many local gentry revived earlier literary references or designated their own hakkei. Among the best known are the eight views of Matsushima ž“‡, Fushimi •šŒĐ, Saga ĩ‰ã, Akashi –ūÎ, and, most famous, the eight views of Kanazawa *Kanazawa Hakkei ‹ā‘ō”ŠŒi. Eight views became a common theme in *ukiyo-e •‚ĒŠG painting and prints, with Edo and the *Yoshiwara ‹gŒī pleasure quarter thereof illustrated with their own hakkei . The eight views theme was parodied in the eight Views of a Pleasure-House *Zashiki Hakkei Ā•~”ŠŒi, in which domestic objects cleverly replace natural scenery.
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