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| gyaku enkinhou 逆遠近法 | ||||||
| KEY WORD : art history / paintings | ||||||
|  Lit. 
      inverted perspective. A visual technique sometimes employed in Chinese and 
      Japanese painting. While the Western perspective system uses parallel lines 
      that are drawn on a picture plane convergent at a vanishing point, in gyaku 
      enkinhou they are drawn to spread apart as they go further into the 
      distance. In the case of Japanese painting, gyaku enkinhou was often 
      used in 12-13c *yamato-e 
      やまと絵 for residences, so as to allow greater space to depict the people 
      inside. It was later employed by Suzuki Harunobu 鈴木春信 (1725-70) in the Edo 
      period for his *ukiyo-e 
      浮世絵 and by the *Rinpa 
      琳派 (17-18c) for their decorative screen painting.  | 
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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。  | 
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