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ebisubashira@bδ{ | ||||||
KEY WORD :@architecture / folk dwellings | ||||||
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1@A
structural post considered sacred in an Edo period vernacular house *minka
―Ζ in most areas of Japan. The ebisubashira, was in most houses second
in importance to the principal Daikoku post *daikokubashira
ε, and was believed to be an embodiment of *Ebisu bδ{, who, like *Daikokuten εV, was
one of the seven gods of good fortune *shichifukujin ΅_ and prosperity. Though in most cases
it was more slender than the often massive daikokubashira, the ebisubashira
was usually sturdier than the other posts in the building. Its structural@significance@varied,
and although, like the daikokubashira, it was often sited at a structurally
important point in the building, its dimensions were more symbolic than
structural. The position of the ebisubashira also varied, but by
and large@it was sited in close juxtaposition@to@the daikokubashira,
most frequently along the boundary between the floored area, kyoshitsubu
Ί, and unfloored area *doma
yΤ of the house. Examples can be found in vernacular houses in parts of
Aomori, Fukushima and Shiga prefectures. In minka where the main
entry *oodoguchi
εΛϋ, was found on the long side of the building *hirairi
½ό, the ebisubashira often was situated towards the front, close
to the entry, while the daikokubashira was set further back in the
middle or towards the rear of the interior. In certain farmhouses in Hiroshima
prefecture, the ebisubashira is located away from the doma
in the partition dividing the kitchen *katte
θ, from the sleeping room *nando
[Λ. Alternative regional names for the ebisubashira include ebisudaikoku
bδ{ε, shimodaikoku Ίε@and *niwa daikokubashira λε. 2@In farmhouses in the Kumano Fμ region of Wakayama prefecture, the term daikokubashira was not used. Instead ebisubashira was employed to refer to the principal post situated at the interface between floored and unfloored zones toward the rear of the house away from the long-side entry. |
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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