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| daibatsu�@‘èæë | ||||||
| KEY WORD :�@art history / paintings | ||||||
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| 1�@A
general term that refers to the title or preface, dai ‘è, daiji
‘è�« and the postscript or colophon
*okugaki ‰œ�‘, bastubun æë•¶, atogaki Œã�‘, written
on books *sasshibon
�û�q–{ or scrolls *kansubon
Šª�q–{ of calligraphy or painting. 2�@Ch: tiba. Appreciative criticism, ideas, or evaluations of a work of art added by the viewer at the end of a book or scrolls of calligraphy or painting. While a few examples of daibatsu exist from 7-10c China, the practice developed during the 10-13c along with the development of scholar-painting *bunjinga •¶�l‰æ. During this period , a special literary style was established for daibatsu and many collections of daibatsu were compiled in works such as Jigulu Bawei (Jp: SHUUKOROKU BATSUBI �WŒÃ˜^æë”ö) by Ouyang Xiu (Jp: Ou Youshuu ‰¢—z�C; 1007-72) and Dongpo Tiba (Jp: TOUBA DAIBATSU “Œš±‘èæë) by Su Shi (Jp: So Shoku ‘hçg; 1036-1101). |
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(C)2001 Japanese Architecture and Art Net Users System.�@No reproduction or republication without written permission. Œf�ڂ̃eƒLƒXƒg�E�Ê�^�EƒCƒ‰ƒXƒg‚È‚Ç�A‘S‚ẴRƒ“ƒeƒ“ƒc‚Ì–³’f•¡�»�E“]�Ú‚ğ‹Ö‚¶‚Ü‚·�B |
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