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daibatsu�@‘èæë
KEY WORD :�@art history / paintings
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1�@A general term that refers to the title or preface, dai ‘è, daiji ‘è�« and the postscript or colophon *okugaki ‰œ�‘, bastubun æë•¶, atogaki Œã�‘, written on books *sasshibon �û�q–{ or scrolls *kansubon Šª�q–{ of calligraphy or painting.

2�@Ch: tiba. Appreciative criticism, ideas, or evaluations of a work of art added by the viewer at the end of a book or scrolls of calligraphy or painting. While a few examples of daibatsu exist from 7-10c China, the practice developed during the 10-13c along with the development of scholar-painting *bunjinga •¶�l‰æ. During this period , a special literary style was established for daibatsu and many collections of daibatsu were compiled in works such as Jigulu Bawei (Jp: SHUUKOROKU BATSUBI �WŒÃ˜^æë”ö) by Ouyang Xiu (Jp: Ou Youshuu ‰¢—z�C; 1007-72) and Dongpo Tiba (Jp: TOUBA DAIBATSU “Œš±‘èæë) by Su Shi (Jp: So Shoku ‘hçg; 1036-1101).
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