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| kibana 木鼻 | ||||||
| KEY WORD : architecture / general terms | ||||||
|  The nosings 
      that appear either as an extension of a tie beam *nuki 
      貫, or bracket arm *hijiki 
      肘木, or as an attachment called *kakebana 
      懸鼻, connected by means of an elongated tenon-and-mortise butt joint *saobiki 
      dokko 竿引独鈷 to the exterior side of pillar *hashira 
      柱, head penetrating tie beam *kashiranuki 
      頭貫, or a rainbow beam *kouryou 
      虹梁. Nosings were at first very plain with simple moldings, called fist 
      moldings *kobushibana 
      拳鼻, applied to the outer cut end of a roof member. Gradually they were decorated 
      with carved spiral patterns *eyou 
      絵様, in the Zen style *zenshuuyou 
      禅宗様, and highlighted with black ink on each side. Elaborate moldings and 
      incised patterns *kurigata 
      繰形, with a peak or ridge on the molded ends eventually replaced the simple 
      undulating types. During the 14c., patterns of young leaves came into vogue. 
      The decorative elements became more and more elaborate during the late Muromachi 
      period and continued to evolve through the Momoyama 
      and Edo periods. These ornate nosings, with their floriated 
      and foliated motifs, and the appearance of a openwork relief sculpture and 
      basket like carving, are characteristic of the late 16c〜19c. On the other 
      hand the daibutsu style *daibutsuyou 
      大仏様, used animal forms, the most familiar being one that resembled an elephant 
      with a raised trunk *zoubana 
      象鼻. There were no decorative patterns carved on nosings in the wayou 
      style *wayou 和様, before 
      the introduction of daibutsuyou at the end of 12c, and the 
      increasingly popular zenshuuyou during the 13c. Influences from these styles 
      can be found on wayou buildings, including attached nosings, but 
      they never became very elaborate.  | 
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