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kaeribana@”½‰Τ
KEY WORD :@1 architecture / lanterns : 2 art history / sculptures
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1@Lotus petal design carved around the lower base kiban Šξ”Υ of a lantern *tourou “”βΔ. There are simple single-layer designs isshu ˆκd and more complex multi-layer designs hasshu ”ͺd. The center of each petal of the single-layer type is divided in half; two single petals layered one on top of the other are called hasshu. The spaces between the petals are filled in with simple forms termed kobana ¬‰Τ.


*tourou “”βāFUeno Toushouguu γ–μ“ŒΖ‹{ (Tokyo)

2@Also less commonly called fukuren •š˜@. A lotus pedestal *rengeza ˜@‰Ψΐ for a Buddhist image that has the flower petals turned downward. The bases of early Buddhist images, such as those of the attendants *kyouji ˜eŽ of the Shaka sanzonzou Žί‰ήŽO‘Έ‘œ at Houryuuji –@—²Ž› (623) in Nara, simply consist of a kaeribana and a *kamachiza žyΐ (base frame). In more complex lotus pedestals, the kaeribana is used in the lower section of the base under the main larger upturned lotus petals *renben ˜@•Ω. The Amida Nyoraizou ˆ’–ν‘Ι”@—ˆ‘œ at Byoudouin *Hououdou •½“™‰@–P™€“° (1053) in Kyoto, has two separate kaeribana. Kaeribana may appear on altars and *zushi ~Žq (miniature shrines).
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REFERENCES:
*ukabana Žσ‰Τ@
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NOTES
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