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| KEY WORD :@1 architecture / lanterns : 2 art history / sculptures | ||||||
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    1@Lotus petal design carved around the 
            lower base kiban ξΥ of a lantern *tourou 
            βΔ. There are simple single-layer designs isshu κd and more 
            complex multi-layer designs hasshu  ͺd. The center of each petal 
            of the single-layer type is divided in half; two single petals layered 
            one on top of the other are called hasshu. The spaces between 
            the petals are filled in with simple forms termed kobana ¬Τ. 
             2@Also less commonly called fukuren @. A lotus pedestal *rengeza @Ψΐ for a Buddhist image that has the flower petals turned downward. The bases of early Buddhist images, such as those of the attendants *kyouji e of the Shaka sanzonzou ίήOΈ at Houryuuji @² (623) in Nara, simply consist of a kaeribana and a *kamachiza yΐ (base frame). In more complex lotus pedestals, the kaeribana is used in the lower section of the base under the main larger upturned lotus petals *renben @Ω. The Amida Nyoraizou ’νΙ@ at Byoudouin *Hououdou ½@P° (1053) in Kyoto, has two separate kaeribana. Kaeribana may appear on altars and *zushi ~q (miniature shrines).  | 
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B  | 
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