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hokkai jouin@@Eθσ | ||||||
KEY WORD :@art history / sculptures | ||||||
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Lit. Dharma-realm meditation mudra. Hokkai @E is
the Dharma-realm, (Sk: dharmadhatu), and jouin is an abbreviation of *zenjou-in Tθσ (meditation mudra). According to Japanese Esoteric Buddhism mikkyou §³, *Dainichi εϊ is the embodiment of the wisdom of the essence of the Dharma-realm hokkai
taishouchi @EΜ«q (Sk: dharmadhatu svabhavajnana). A mudra or hand gesture formed
by placing both hands in the lap, right on top of left (sometimes left on top
of right), with the palms turned upwards and the thumbs touching each other. The
meditation mudra was one of the most popular mudras in Buddhist iconography, and
examples may be readily found in many types of Buddhist arts in Asia. But in Japan
the usage of the hokkai jouin was restricted. Images of *Amida ’νΙ did not generally use this type of meditation mudra, but another one traditionally
called *mida-no-jouin νΙθσ. In Japan, the hokkai jouin was most frequently used as the mudra
of Dainichi in the Womb-World Mandala *Taizoukai
mandara Ω EΦδΆ
. Zen priests preferred *Shaka ίή (Sk: Sakyamuni) with the meditation mudra, in accordance with the custom of
Zen Buddhism, the position of both hands was frequently reversed. This is the
so-called Shaka in the style of the Zen sect. In
addition, several Buddhas and bodhisattvas had their attributes sanmayagyou O‘λ` placed on their palms forming this mudra. For instance *Miroku νθΣ has a *gorintou άΦ
(stura of the five elements) in his hands forming the hokkai jouin, while
*Yakushi ςt has a medicine pot
resting on his palm. The above innovations derived from the theories of Esoteric
Buddhism mikkyou, but because they came into vogue only after the Kamakura period, examples
in important works are rather rare. |
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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