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Higashiyama bunka 東山文化 | ||||||
KEY WORD : art history / general terms | ||||||
Lit. east mountain culture. The culture of the middle
Muromachi period *Muromachi
jidai 室町時代, specifically that of the eighth shogun Ashikaga Yoshimasa
足利義政 (1436-90), from the beginning of his rule until his death (1443-90). It is named after
the area east of Kyoto, Higashiyama 東山 where in 1483 Yoshimasa built the Silver Pavilion, Ginkakuji
銀閣寺 (Jishouji 慈照寺) for his retirement. The interiors of buildings
were innovative, displaying many features such as *chigaidana
違い棚 (staggered display shelves) and tsukeshoin 付書院 (a shallow desk) that
would be incorporated into the *shoin
書院 style of architecture in the succeeding Momoyama period *Momoyama
jidai 桃山時代. A great many arts are associated with Higashiyama bunka, particularly
the advancement of ink painting *suibokuga
水墨画 under the master Sesshuu Touyou 雪舟等楊 (1420-1506) and the founding of the Kanou school
of painting *Kanouha 狩野派. This
family of painters under the leadership of Kanou Masanobu 狩野正信 (1434 - 1530) were
descended from a low ranking samurai 侍 family from the area around modern
Shizuoka preferture. Masanobu was appointed official shogunal painter in 1481.
Toward the end of the 15c under Murata Jukou 村田珠光 (1423 - 1502), the act of tea
drinking was formalized into a ritual *chanoyu
茶湯. Tea rooms such as the Doujinsai 同仁斎 in the *Tougudou
東求堂 at Yoshimasa's Ginkakuji villa were designed to express the aesthetic concepts
of individual tea masters. Thick green tea was served, and the objects used in
the ceremony were carefully chosen to suggest age and understated elegance. |
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REFERENCES: | ||||||
*Kitayama bunka 北山文化, *Sengoku jidai 戦国時代, *Amiha 阿弥派 | ||||||
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NOTES: | ||||||
(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。 |
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