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hide@”è“` | ||||||
KEY WORD :@architecture / buildings & structures | ||||||
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Markers
set at intervals along a mountain trail by ascetic monks called yamabushi
ŽR•š or shugenja CŒ±ŽÒ. Many of the monks belonged to the order of shugendou
CŒ±“¹, a sect of Buddhism that is dedicated to achieving mystic powers by
its teachings of ascetic practices in the mountains. By the mid-Kamakura
period stone tablets *itabi
””è, were inscribed with Buddhist texts by the monks. The top of the monument
became pyramidal in shape. The rear side is flat. Two grooves are also carved
beneath this part. The shaft differs from ordinary stone tablets because
over half the stone is cut out about 1/5 or 1/6 of the way down from the
groove at the top. The lower part is rough stone and is sunk into the ground.
. The ascetic practices followed were connected with the chief mandala *mandara
™Ö䶗… of Esoteric Buddhism mikkyou –§‹³, the Mandala of the Womb World *Taizoukai
mandara ‘Ù‘ ŠE™Ö䶗… (Sk. Gabha-dhatu mandala)
and the Mandala of the Diamond Realm *Kongoukai
mandara ‹à„ŠE™Ö䶗… (Sk. Vajra-dhatu Mandala). A stone with a
pyramidal top is associated with the Diamond Realm; one with a flat top
is called sanroufuda ŽQâÄŽD; one with a bulbous onion-shaped top represents
the Womb World. The origin of hide is presumed to have derived from the
necessity of the ascetic priests to leave proof of their religious journeys
up the mountains. At first they cut down trees and smoothed the surface
of the stump in order to inscribe for future generations their names, dates,
and the deities invoked. By the early Kamakura period, tall
logs were used as hide and called enboku hide ‰~–Ø”è“`. Flat wooden
boards were also prepared before the journey, carried, and set into the
ground, but they decayed quickly. From the latter 13c onward stone was used
preferred. Examples: Nyohouji Hide ”@•óŽ›”è“` (1276), in Fukushima prefecture,
and Kouyasan Oku-no-in ‚–ìŽR‰œ‰@ (1276), in Wakayama prefecture, Myououin –¾‰¤‰@ (Muromachi period) in
Shiga prefecture. |
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. Œfڂ̃eƒLƒXƒgEŽÊ^EƒCƒ‰ƒXƒg‚È‚ÇA‘S‚ẴRƒ“ƒeƒ“ƒc‚Ì–³’f•¡»E“]Ú‚ð‹Ö‚¶‚Ü‚·B |
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