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ganryou@Šç—¿ | ||||||
KEY WORD :@art history / paintings | ||||||
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1@Pigment.
Powdered colours used in oriental painting. Insoluble in water and most
other liquid media. Usually mixed with animal glue *nikawa
äP as a binder *baizai
”}Ü to make a paint. Ganryou are opaque, durable and relatively resistant
to fading. The term ganryou is used in contrast to senryou
õ—¿, which refers to translucent soluble dyes. Senryou and ganryou
are collectively known as *shikiryou
F—¿. Ganryou are divided into organic pigments *yuuki
ganryou —L‹@Šç—¿ and inorganic pigments *muki
ganryou –³‹@Šç—¿, both of which can be synthetically produced or made
from naturally occurring materials. Many pigments used in Japan are so-called
*iwa-enogu ŠâŠG‹ï made
from minerals koubutsu z•¨, and doro-enogu “DŠG‹ï made from earth
materials, doshitsu zairyou “yŽ¿Þ—¿. The most important ganryou
include the white pigments *hakudo
”’“y and *gofun ŒÓ•², red *shu
Žé, orange *tan ’O, yellow
ochre *oudo ‰©“y, green
*rokushou —ÎÂ, brown
*taisha ‘ãæÞ, and blue
*gunjou ŒQÂ. Pigments are
not usually mixed, but variations in tone can be achieved by grinding down
the powder; finer grains give a lighter shade. Sometimes a fixative is used
to bind an insoluble substance such as powdered metal to a soluble dye,
producing a lake pigment, reiki ganryou ƒŒ[ƒLŠç—¿ such as red madder
lake, mada reiki ƒ}ƒ_ ƒŒ[ƒL. 2@As *enogu ŠG‹ï. Ganryou is sometimes used to refer to any type of colouring matter. |
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. Œfڂ̃eƒLƒXƒgEŽÊ^EƒCƒ‰ƒXƒg‚È‚ÇA‘S‚ẴRƒ“ƒeƒ“ƒc‚Ì–³’f•¡»E“]Ú‚ð‹Ö‚¶‚Ü‚·B |
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