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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission.
掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。
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| fuuryuujin-zu 風流陣図 | ||||||
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| KEY WORD : art history / paintings | ||||||
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| Ch: Fengliuzhen tu. Lit. Depictions of Elegant Battles. A Chinese painting subject included among the Pictures of Pleasure at Court *kyuuraku-zu 宮楽図. According to the description by Kanou Ikkei 狩野一渓 (1599-1662) in *KOUSOSHUU 後素集, when wine was flowing, Xuanzong (Jp: *Gensou 玄宗) and his consort Yang Guifei (Jp: *Youkihi 楊貴妃) would gather about 100 court ladies, divide them into two armies, provide them with flowering branches, and enjoy watching them set against each other. These elegant battles reportedly took place in the Taiyeting (Jp: Taiekitei 太液庭) behind the Daming Palace (Jp: Daimeikyuu 大明宮) at Chang'an (Jp: Chouan 長安). The theme was painted most frequently during the late 16c and early 17c on fans and screens by *Kanouha 狩野派 artists. When painted on screens, the theme was often paired with other kyuuraku-zu such as the Butterfly of Happiness *choukou-zu 蝶幸図, or a scene from The Song of Everlasting Sorrow (Ch: Changheng; Jp: Chougonka 長恨歌). The theme could also be matched with other themes involving the court, such as Four Graybeards Return to Court, shikou raichou 四皓来朝. | ||||||
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| *Shouzan shikou 商山四皓. | ||||||
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| NOTES: | ||||||
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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。 |
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