@
bokuseki@–nΥ
KEY WORD :@architecture / tea houses
@
Black ink brush writing by Zen ‘T priests, as well as by laymen who practiced Zen meditations and wrote Buddhist sermons, hougo –@Œκ. These laymen also wrote poetry, geju ˜σθρ, certificates of attaining spirited enlightenment, inkajou ˆσ‰Βσ. Some liked to study and explain the history of the names of other priests, azagousetsu Žš†ΰ. Others studied character writing by Zen priests to determine whether or not they were beautifully executed. The writer's personality or morals were of no account in the evaluation of the skill in writing. Used in a tea room *chashitsu ’ƒŽΊ, of the hut style, excellent script, both ancient and medieval, was highly revered. The text *NANBOUROKU “μ–V˜^ (1593-1691)--which conveys the spirit of tea, cha-no-seishin ’ƒ‚̐Έ_, of Sen Rikyuu η—˜‹x (1522-91)--states that black ink brush writing is most appropriate for scrolls hung in a tea room. One highly valued piece is the black ink picture by a head priest at Daitokuji ‘ε“ΏŽ› in Kyoto, which is referred to as a Daitokuji object, daitokuji mono ‘ε“ΏŽ›•¨.
@
@

@
REFERENCES:
*bokusekimado –nΦ‘‹
EXTERNAL LINKS: 
@@
NOTES
@

(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
ŒfΪ‚ΜƒeƒLƒXƒgEŽΚ^EƒCƒ‰ƒXƒg‚ȂǁA‘S‚Δ‚ΜƒRƒ“ƒeƒ“ƒc‚Μ–³’f•‘»E“]Ϊ‚π‹Φ‚Ά‚ά‚·B
@